Notes on Diversity:
Like The Wrath and the Dawn, this is a book about a woman of color by a woman of color. The cast is all people of color–specifically Indian people. The fantastic creatures that appear come from Indian folklore and mythology.
Also, like The Wrath and the Dawn, the diversity stops there. No queer characters appear in the book. There is no discussion of disability. Class does not come to the fore.1 Readers longing for an exploration of these themes may want to look elsewhere.
Mayavati was born with bad luck. Her horoscope states that her marriage will join her to death, devastation and destruction. In the land of her birth, Bharata, a bad horoscope taints a person.
Maya is shunned by the wives and daughters of the harem, left to her own devices, until fate moves her to a place where her death can be used as a political tool. But she does not die. She finds herself married to a mysterious king of a mysterious land–Akaran, where creatures of myth and legend roam. Amar, her new husband, tells her she has powers she never dreamed of, and that he can teach her, but only if she doesn’t ask too many questions, and only if she doesn’t explore the new palace. But, of course Maya’s curiosity gets the better of her.
First, I have to say that Chokshi’s writing is gorgeous. I’ve read her short stories, so I knew that going in. She has a wonderful way with unexpected visual metaphors that surprise and delight me:
This was the court of Bharata, a city like a bone spur — tacked on like an afterthought.
A sound spidered through the floor.
The book is beautifully written, a real pleasure to read. Chokshi is the kind of stylist I am jealous of as a fellow writer as I know my own writing is much more prosaic than hers. Hers sings; it’s lyrical. You can get lost in the words.
The structure of the book, too, is so clever once you know the story. Of course Maya told all of those stories to Gauri!2 Of course the details she made up proved to be true when she makes it to the Night Market! I REALLY WANT TO TELL YOU THINGS RIGHT NOW THAT ARE SPOILERS but I will not, so please read the book so we can discuss, ok?
The narrative is lovely, too. I really rooted for Maya. As a character she is ambitious and she is suspicious. She sneaks into the rafters of her father’s diplomatic councils and learns about warcraft and politics. She yearns for power. She knows she is smart, and she wants to use her sharp and cutting mind for something for anything. It was not surprising to me that when presented with the opportunity her new husband, Amar, represents that she would take it. She may be attracted to him at the outset, and grateful for his rescue, but she does not immediately fall in love with him. I loved this tension within her, the suspicion of him (she openly says she does not trust him to him) and this desire for power.
Maya is such a strong character. She has such agency throughout. Chokshi draws her as a complete human being, and allows her to both rise to full glorious potential and to give in to her weaknesses. She falters. She learns from her mistakes. One of her mistakes is very dire, indeed, and she does what she needs to, sacrifices what she has to, to make things right. Maya is a better, more mature version of herself by the end of the book. Not a different person–still herself, still recognizably herself, but grown up. The character work in The Star-Touched Queen when it comes to Maya is truly excellent. The characterization of some of the minor characters–Kamala and Gauri, especially–was also very strong.
I wish the characterization of the other two main leads, Amar and Nritti, were as strong. Amar remains throughout a besotted cypher. We know he loves her, and that he has secrets, and that’s about it in terms of his character development. Honestly, in terms of plot, he doesn’t have much else to do, but there could have been a great deal more shading here to differentiate him from the other Brooding But Secretly Very Loving Love Interests I’ve read.
Nritti is a much more interesting case. She is the book’s main antagonist, and her role in the plot and in Maya’s life3 is a complicated one. They were friends, until they weren’t, and Maya only half-remembers a shadow of a feeling of trust in Nritti. Until Nritti’s backstory is revealed, it’s key that her characterization is very strong–that the reader feel that she is trustworthy, that we have a strong connection to her, too, stronger to her, perhaps, than to Amar because her role in the story is not so well telegraphed by narrative convention as Amar’s is. But she winds up ambiguous. And then she winds up duplicitous. And as a character, for me, she wound up a hollow, strange mess of wasted potential.
Nritti, also, was highlights worrisome issue in that there was an underlying element of femme…suspicion? in the book. It seemed as if the more feminine a female character was, the less Maya could trust that character (from childhood, an example would be the harem wives who exclude her). Gauri, her sister, grows into a soldier. Kamala, a female-identified flesh-eating horse demon that appears in the last third or so of the book ends up being a much more interpretable, sympathetic, and interesting character than Nritti. Kamala has more shading and depth. So it isn’t that Chokshi didn’t know how to write her non-human characters, or characters that are at first glance repugnant. It’s that Nritti never quite formed. I think this is an Unfortunate Unintended Consequence, but that doesn’t mean it didn’t happen in the text.
Still, I would recommend this book. The weaknesses with Amar and Nritti are, to me, quite well balanced by the strength of Maya herself, and by the beauty of the writing. I very much enjoyed this book, and I am excited to see what Chokshi does with the next book.
1Arguably there is a glancing blow at class made in the book when Maya returns to Bharata as a sahdvi. I don’t count this, personally, as a discussion of class since she experiences her role as a sahdvi as a costume/disguise. She never claims the status fully. Like Shahrzad in The Wrath and the Dawn, this is a book about a princess. Maya is a princess who was abused emotionally and psychologically, yes, but she was first a princess and then a queen, and her social position and worldview is different throughout the book than a peasant or a pauper.
2GAURI!!!! I am very excited that the companion novel, A Crown of Wishes is all about her.
3Technically, in Maya’s lives since Nritti knew Maya in a previous incarnation, too.