Disrupting Publishing: 1/20/2015

“Race, Publishing, and H.P. Lovecraft: A Conversation with Daniel Jose Older and Victor LaValle” at Tor.com

Older took the idea in a fascinating direction: “I believe in the revolutionary power of happy endings. Especially when you’re dealing with marginalized people… we need to see that there’s hope.”

“Unearthing the Sea Witch” by Nicole Pasulka and Brian Ferree for Hazlitt

In the film, Ursula is a fat villain who preys on a skinny heroine. Her largeness is presented as evidence of her evil nature. But in this case, that evil nature is also liberating. The character is an inversion. Someone who made something we thought was impossible—a mermaid walking on land, for example—possible. In treading the fine line between homage and mockery (not to mention between male and female), a drag queen does this too.

“Buzzword” by Alyssa Wong for Lightspeed‘s POC’s Destroy Science Fiction Kickstarter*

The more you read, the more you realize the truth. These posts were never about you as a writer, or even as a person. They’re about what you represent. They’re about white supremacy and yellow peril, a majority’s fear of growing irrelevant and being displaced. It’s about hating you for taking up space they believe they deserve.

Tess Sharpe on Quiltbag YA

<blockquote class=”twitter-tweet” lang=”en”><p lang=”en” dir=”ltr”>There is a lot of coded language you are subjected to, as a QUILTBAG writer, in publishing. You're told you're a &quot;hard sell&quot;</p>&mdash; Tess Sharpe (@sharpegirl) <a href=”https://twitter.com/sharpegirl/status/676455891462283264″>December 14, 2015</a></blockquote>
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*Psst I am not telling you how to live your life BUT I 100% PLEDGED FOR THE POCs DESTROY ISSUE AND I SERIOUSLY DOUBT I WILL REGRET THAT DECISION, FYI.