I’m thrilled to announce that my short story, “The Demiurge”, is included in the inaugural issue of The Wild Ones: A Quarterly Queer Lit Rage. The issue is available for purchase here, and I encourage y’all to check it out! Here’s a synopsis of the story to whet your appetite:
Sometimes a genius biologist needs an entire island to herself. Sometimes she needs to pursue her work away from the prying and judgmental eyes of everyone else. Temperance, a theologian, understands this about her wife. She whisks Vera way to an isolated island in the Hebrides, and there Temperance watches her wife’s holy genius unfold.
“The Demiurge” is a historical science fiction story brimming with big questions and mad science. Where is the line between science and religion? And when you find that line, should you cross it?
The really lovely thing about short stories, from a writer’s perspective, is that they allow you to step outside your comfort zone for just the right amount of time. There are elements in “The Demiurge” that were easy for me—it’s earnest, it’s speculative, it’s queer—but there were other parts that took me decidedly past what I’m used to as a writer. It’s historical and it’s not a secondary world—set in 19th century Britain. The main POV character, Temperance, grew up wealthy. I so often do not write wealthy characters, and she had a particularly restrained way of thinking that I found very interesting and very challenging to write. I like her, though. I like her secret feistiness.
“The Demiurge” has its roots quite explicitly in Frankenstein. But Frankenstein itself was a treatise on the question of religious and scientific ethics, a set of questions that fascinated me enough that I ended up minoring in religion in college almost by accident. This is one of the few times I’ve explored those haunting questions in my fiction. I’m grateful that it found a home with The Wild Ones.