Expanding PROOF – Week 1

As I mentioned a few days ago, I have switched gears to due an impending and enormously exciting deadline! Since I document everything ever, I figured I’d go ahead and document this process, too.

The gist is in two months I need to take “Proof”, a 6,000 word short story, and expand it into a short novel by adding at least 40,000 words. No small feat, right? Well, luckily, I have a bit of a head start: “Proof”, like the vast majority of my fiction, takes place in Aerdh. And it explores characters in a locale i’ve pretty thoroughly built out worldbuilding-wise. And it dovetails with some characters I’ve written about elsewhere. In short, I have a pretty comprehensive sense of what’s going on in the universe in which the story is set at that particular time in the universe’s history, which makes things a lot easier to work with. Mostly expanding “Proof” means taking the current plot, which is stripped pretty bare, and throwing in a bunch of complications to blow up the scope of the narrative.

I’m pretty sure I’ve mentioned this before, but I’m not much of a plotter. The pace and action of my narratives typically develop organically from exercises in worldbuilding first and then character development. This project is really no different–the characters are definitely my starting place.

"where should i start? I know! A nice orderly table about my characters"

“where should i start? I know! A nice orderly table about my characters”

“Proof”, at its heart, is a love story, and I very much want to keep that element when I expand it to a novel. Specifically, “Proof” describes a relationship between two women that already has a history. Obviously, one direction I could take the project in is to pull back and watch them fall in love. But I like that they’re already together, that they already have a rhythm and a history. My inclination now is to keep it like that and to use the longer format to explore why and how they work (and why and how they don’t work)¬†together. There is a certain kind of playfulness that exists when you’re writing about two people who already know each other and already love each other that is a little different than the sort of playfulness that exists when a relationship is new and still forming. I want the book to be about how they stay in love rather than how they fall in love.

So, since this will be a book so deeply rooted in how these two characters play off of each other, I started with mapping out how they react to each other. With a table. Look, I’m an analyst by training and trade, right, I think in tables.

The other thing I’ve been working on is an extremely rough idea of a plot. Now, the reason I’m doing this instead of just letting it blossom on its own like I usually do is a matter of scope–left to my own devices I will turn this into a 200,000 word epic about the nature of love and loss and shit like that. And it would be good. But this needs to be a quick, swift romp with just enough gravitas, and for that I need to keep my focus. Since I’ve got two months to make it happen, I don’t have time for a sprawling first draft.

EYES ON THE PRIZE, SANDERS

EYES ON THE PRIZE, SANDERS

So I’m brainstorming at lightspeed, figuring out which elements of the current story need elaboration and what the scope of this will be. It’s like a planning blitz, and so far it’s been really useful. I am sort of concurrently working out the roughest outline in the whole wide world.

I’ll keep y’all posted on where it goes from here!

One thought on “Expanding PROOF – Week 1

  1. Pingback: PROOF Expansion Update | Clatter & Clank

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